In other words, doing such things does not improve skill. So, simply making track after track is not deliberate practice. But when you decide to remake something, you do have a clear direction. Everything is laid out in front of you. There are exceptions, of course—lying on the beach is worth doing and also easy—but for the most part, it rings true.
You might not be able to give Axwell a quick phone call and ask him to come down to your studio, but you can remake his tracks and get inside his head. You can pick up on techniques that he uses, or at least figure out alternatives. You might notice that he builds his drum sequences in a certain way, or his melodies another. You start to do the same thing in your own compositions. Jack London, the famous American author, greatly admired the work of Rudyard Kipling. He obviously saw the benefit.
But you know that A leads to B, and B could lead to C. And so you try that out. You come up with your own solutions. And while they may not be the most effective or efficient solutions, they are indeed solutions.
When you remake tracks, you repeat a lot of techniques. Subtractive synthesis is known for its filter sweeps. Filtering out high or low frequencies over time. While FM usually sounds more metallic or harsh. What waveforms is the sound made up of? Does it have a lot of harmonics or barely any? Is it a sine, saw or square wave? The sound could even be sampled from an acoustic source or a combination of different instruments.
After you have figured out the core sound, try to listen if there are any effects applied like reverb, delay or chorus. Chorus is often used to widen a sound while reverb and delay are used to grow and lengthen the sound. Maybe overdrive or distortion is used to add grit and power to the sound.
That is, again, not the point. The goal is to train your ears and develop your sound design skills. If you ever get stuck, looking for inspiration. Remaking a track might help you get started. Het e-mailadres wordt niet gepubliceerd. Mijn naam, e-mail en site bewaren in deze browser voor de volgende keer wanneer ik een reactie plaats.
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Learn more. How to remake a track. Learn more. What is the difference between a "cover" and a "remake" of a song?
Ask Question. Asked 6 years, 8 months ago. Active 2 months ago. Viewed 85k times. Improve this question. Add a comment. Active Oldest Votes. However, I would say that in general: A cover usually refers to a reinterpretation. It also gives some interesting insight into its origin: The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released original version.
Improve this answer. Matthew Read Matthew Read 1, 10 10 silver badges 20 20 bronze badges. I agree with this subjectively, but do you have any sources backing it up? The only source I've been able to fine that discusses any sort of definitive differentiation is history-of-rock. Lin No, I've seen the same. This is more of a "if you have to distinguish them What about if an artist rerecords their own material e. I would have leaned toward the opposite definitions as you, with a cover being a copy, and a remake being the song reinterpreted in a new way.
I agree with the fact that the two terms are often used interchangeably today. L D 3 3 bronze badges. Anton dB Anton dB 4, 1 1 gold badge 21 21 silver badges 55 55 bronze badges. This is a solid interpretation as well, and good idea to include "remix". Patrick Kehoe Patrick Kehoe 41 1 1 bronze badge. According to Wikipedia : In popular music, a cover version or cover song, or simply cover, is a new performance or recording of a previously recorded, commercially released song by someone other than the original artist or composer.
The links section provides a link to the Remake article, and while it's specifically targeted toward film, it seems to have basically the same definition as cover emphasis mine : In film or television, a remake is a motion picture based on a film and television series produced earlier.
Darrick Herwehe Darrick Herwehe 1, 1 1 gold badge 12 12 silver badges 22 22 bronze badges. Does the fact that the Wikipedia article use the terms interchangeably mean they are the same or point to a poorly written wiki article? The following rights are associated with copyright of such works :.
In the case of Musical, literary or dramatic work, not being computer program:. If such a remake of the song is done without the prior consent of the original owner of the song, then it will be termed as an infringement. So, in general practice, the entrepreneurs will contact the original owners of the song through copyright collective management or societies, then will send a notice to them stating their intention to reproduce the song in return for royalty as consideration. As mentioned above, the owner of a copyright has the exclusive rights which include authorisation to reproduce or distribute the copies of the work, to work or perform in the presence of the public by means of the digital audio transmission, to make derivative work and publish them.
As a copyright owner of a musical work, the Act gives you the right to record music, sell, to distribute its copies in various ways like CD, digital download etc. It means that the owner of the original copyright work has a right to make copies of his work and store them in any format as per his choices.
In case someone who is unauthorised makes copies of his work or any substantial part of his work then such an act will amount to infringement of the work. For example— Making copies of a sound recording or musical work in CD, computer file, included in a movie etc. Under this right, the performance is merged with any visual representation and then broadcasted. Therefore, the permission of the original owner of the song is required in such circumstances. The term mechanical has its close relevance with technical.
It is basically related to recording part of the song. Record companies exercise this right while creating the song and then pay a required amount to the producer to publish the song or work. Under this right, the original work is to recreate a new work by making some alterations in it by adding different kinds of beats, rap music, lyrics, and other different kinds of elements to make a better and interesting version of it.
When someone uses their creativity to change some elements in your work or introduces a new part to your work, it is called adaptation and rights associated with that are called adaptation rights.
The Copyright Act defines the following:. Section 38 tells about the Right of performers and Section 38 A lays down legal provisions related to it which give exclusive rights for doing any act in respect to performance. It can be categorized into 3 parts. Section 39A confer the moral right to the performers to claim the author of the work and the right of integrity to work.
There are two ways in which a sound recording can have: personal and commercial. Personal use implies playing during small get together or marriage or fun events where there is no element of money. But for a commercial performance like playing music in restaurant, hospital, radio, television, cinema etc. An individual has permission to create a new remix version from the copyright holder but they cannot play remix version in the club without granting permission for performance right, it will be considered an illegal act.
In a club, DJ will not be liable to pay the amount of royalty. It will be by the bar or club owner. If the remix music is with the actual performance will cover under fair use, but the more you profit without granting prior permission the more you break the laws. The owner of the musical work is the composer, not the singer who sang the song. Gramophone Company of India vs. In this case, the Delhi High Court observed that musical work is not a combination of melody or tuning work but every composition has its structure, shape to prepare the whole notation for music.
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